Monthly Archive for January, 2010

Is Learning More Social or Solo?

elephants

At the end of February I have a speaking engagement, during which I will explore the question “Social or Solo? Why Learning in Community Beats Learning alone”. I’ll be speaking for a graduate school audience at my alma mater, and I’m excited but a bit nervous.

As I’ve been reading to prepare for the gig, it occurred to me, “Oh! I can blog about this!! And invite others into my thinking process!” (Hmmmmm, sounds like social learning to me).

So here is my first stab at at exploring the question, “Is learning more social or solo?”

Neurons Firing in the Brain

The more I learn about neuroscience, the more I use brain-based explanations when I’m working with my academic coaching clients.

Just the other day I found myself saying to a kid, “Do you know what learning is?! It’s simply the process of burning new neuropathways in the brain!”

DendritesI then drew drawings of dendrites and axons on the board, and tried to explain two points:

(1) when we are first exposed to new information or experiences, or brain creates new neuropathways for that information, and

(2) when we review or repeat that experience, we strengthen those pathways.

With this particular student, I was trying to explain that the more he reviews his vocabulary words, the stronger the neuropathways (and therefore his recall) of the information.

That explanation makes it sound like learning is largely a solo experience. It takes place in a person’s brain. It is about that students’ private relationship to the content he is reading/learning.

How Our Brains Are Connected to Other Brains

But there’s also astounding scientific data from various different sources that our brains & bodies are profoundly connected to other brains and bodies. In ways that are largely unconscious.

In other words, this data shows that we don’t choose to be intricately connected with other people, we just are. And if we are already connected to other people, then our learning must be connected to.

So perhaps there’s no such thing as solo learning?

Mirror Neurons Help Us Live in Other People’s Brains

Take mirror neurons, for example. These recently discovered neurons fire in the brain when a) a person does an action, and b) when a person observes that same action.

Credit: iStockphoto/Isabel Mass

When I see you pick up a steaming cup of hot coffee, my mirror neurons are firing like mad!! In some strange way, they are giving me the feeling of drinking that coffee without my actually having to drink it! The same thing happens when someone sticks their tongue out at me.

In other words, these neurons allow us to mirror another person’s behavior as if the we ourselves are doing it. As the narrator of an excellent PBS video remarks, “There s a part of my brain whose job it is to live in other people’s brains!”

And importantly — we do this not through conceptual reasoning, but rather with cells that model the actions, intentions and emotions of others inside our own bodies (Blakeslee & Blakeslee, p. 168). Wow!

Social Networks Show Us How Intricately We Are Connected

According to the new book Connected, “how we feel, whom we marry, whether we fall ill, how much money we make, and whether we vote — everything hinges on what others around us are doing, thinking, and feeling.”

Connected Social NetworksBy studying the ways that individuals are connected to each other, they go on to prove that happiness is contagious as well as that your friends’ friends’ friends can make you gain or lose weight.

Their study of the ways in which people are connected to each other poses some fascinating questions about the extent to which individual agency affects our decision making…but also about the extraordinary potential of social networks to do good in the world.

Christakis and Fowler expand:
“If we are affected by our embeddedness in social networks and influenced by others who are closely or distantly tied to us, we necessarily lose some power over our own decisions. … we argue that our interconnection is not only a natural and necessary part of our lives, but also a force for good. Just as brains can do things that no single neuron can do, so can social networks do things that no single person can do” (p. xii).

So…What’s the Scoop? Social or Solo?!

Now I’m wondering: perhaps my question is faulty. Maybe there is no such thing as “Solo” learning; maybe our thoughts and actions are always affected by our connections to other people, even when we *think* we are learning alone.

This observation seems to sit squarely with a learning theory I’ve just been reading about: situated learning by Lave and Wenger. In reading Mark Smith’s article about social/situational learning, I was particularly moved by this sentence:

Learning involves participation in a community of practice.

The older I get, the more I appreciate the “communities of practice” in which I’ve learned and honed some important skills (InterPlay facilitation, academic coaching, sacred harp singing, and blues dancing, to name a few).

In the case of situational learning theory, the concept of “communities of practice” comes out of Lave & Wenger’s study of several apprenticeship situations — for example, Yucatec midwives, Vai and Gola talors, and US Navy Quartermasters.

Smith explains:

Initially people have to join communities and learn at the periphery. As they become more competent they move more to the ‘centre’ of the particular community. Learning is, thus, not seen as the acquisition of knowledge by individuals so much as a process of social participation. The nature of the situation impacts significantly on the process.

Get to the Conclusion Already!

Sigh. Conclusions are always the hardest part of a paper to write. (Academic Coaching clients, take note:  even I am resisting tying up all my ideas into a nice, neat bow.)

The problem is, I don’t yet know WHAT my conclusion is. Here’s what I do know:

  • We are connected to other people in vast and suprising (and sneaky) ways.
  • Even when we *think* we’re learning alone, we are affected and influenced by others. Even if we’re just filling out a worksheet, the way we approach that worksheet is intimately affected by what the other bodies in the room are doing, what our friends’ friends’ friends think about school, and much more.
  • Given that people are connected to each other in all these different ways, it seems crazy to me that our American education system continues to pretend that learning is an individual task and an individual skill.
  • And of course, on one level, learning is very personal. After all, it’s my neuropathways I’m building. And my body I’m using. and my passions & interests I’m pursuing.

What do the rest of you think? What do you know from your own learning experiences? What patterns do you see in the data I’ve presented here, from mirror neurons to social networks? I’d love to have you add to the conversation.

How My Clients and I Learn from Each Other

LakeMerritt

I recently took a walk around Lake Merritt with a former academic coaching client. What sweetness! One of the things I adore about my work as an academic/life coach for teenagers is that I get to build strong connections & collaborations with young people. And those connections don’t usually die when the client/coach relationship ends.

This young woman and I walked and talked — about friendships, dating, love, and of course, life as a college freshman.

Multiple Choice, F’s, and Advocacy

Turns out that she made mostly As and Bs in her first semester of college — but also one F. I asked her to tell me more about this F (which happened to be in her favorite subject, one out of which she wants to build a career. Extra odd to get an F).

Turns out the teacher gave only multiple choice tests, and this young woman has a learning disability that makes multiple choice tests especially difficult. I’m simply amazed that her college allowed her to fail out of a course that didn’t provide an alternative assessment strategy for someone clearly diagnosed with a learning difference.

Luckily, this young woman understands the value of relationships and networking. She is not shy to stand up for herself and ask for what she needs. She said she will — and I’m hoping she follows through — petition to write a paper as an alternative assessment. She understands the content, after all, but just can’t identify the information when it’s worded in a multiple choice format. (Those classes she got As and B’s in? Yep, you guessed it, the class grades were based on essays and in-class discussion).

I’m thrilled to see this former client continue to practice her self advocacy skills. I’m also thrilled at how this kind of client/coach relationship is not simply a one way street; mutuality is the name of the game in my work.

When There’s Too Much Good Stuff

As I walked to meet her at Cafe 504, I was feeling overwhelmed with the “too muchness” of my life.  Too many close friends, too much interesting work, too many requests for my time (all of which I want to say “Yes!!” to).

The question at the forefront of my mind was: what do I do with MuseCubes?! I love the product, I love the IDEA of building it into a successful business, but I really don’t like the ADMIN WORK necessary to build the business. On the other hand, I love my academic coaching relationships, and I want MORE of those. I don’t have time to build BOTH business. But do I want to let the MuseCubes go? No!!!!!! Maybe?!?! I don’t know!!!!!!

I was thinking about this question as my young friend was telling me about taking that 90 question multiple choice final exam. “I tried everything!” she said. “I even tried your MuseCubes thing, shaking myself and yelling. But I just didn’t recognize any of the answer to the questions.”

Ahhhhhh, this is exactly what I needed to hear. “I even tried your MuseCubes thing.”

Of course, in her situation, the MuseCubes didn’t help her find the answers. But they gave her a concrete idea for something productive to DO when she was feeling overwhelmed, frustrated, and at her wits end.

Just when I start questioning the value of some of my work, I get a little message from an angel saying: “MuseCubes are worthwhile! My life is better because of it.”

I immediately felt less stressed about making a decision about the business side of MuseCubes. I suddenly felt TRUST that I will find the exact best way to build this business and maintain my own life balance. It might mean I need to take a little break to reground myself. It might mean the business takes a different form than I expected. But I needn’t fear that I’ll have to abandon my baby in order to reground myself again.

My former client and I hugged each other goodbye at the end of the walk. “I love talking to you,” she said. “I always learn so much from you.”

“I love talking to you, too!” I answered, while thinking “I always learn so much from you, too.”

Make Your Own MuseCubes?! Reflections on Creativity, Entrepreneurship & Ownership

SelfMadeMuseCubes

As a product inventor, people often ask me whether I’ve “protected” Musecubes. Certainly, I’m in the process of trademarking and copyrighting my products. So in that sense — yes.

But with any creative idea, to what extent do I truly “own” it? And would I really want to?

A year ago, I found out about a preschool teacher who made giant MuseCubes by covering boxes with wrapping paper, and adding her own verbs.

Just today, I stumbled upon Dayna Collins’ blog, Alley Art Studio. Wow! I’m stunned at Dayna’s creative application of the MuseCubes idea. In her own words:

Our creative project for last night was to design and make a personal set of MuseCubes. I heard about Muse Cubes sometime last year and went online and bought a set. I used them during my last Artist’s Way session and they were great fun. Basically, one cube has words related to noises and sounds you can make and the other cube has action verbs, i.e., shake, bend, and dance. You roll the dice and do as instructed. You might be howling and bending, or laughing and shaking. You get the idea.

I absolutely love how Dayna personalized the Cubes. And aren’t they beautiful?! I’ve included one of the pictures, above, but I highly recommend going to Dayna’s blog and checking out the gorgeous art work yourself.

Back to that question of ownership. I think of the MuseCubes as my child. And as poet Khalil Gibran points out in The Prophet, we do not own our children:

Your Children are not Your Children
They are the sons and daughters of life’s longing for itself.
They come through you but not from you,
And though they are with you yet they belong not to you.
You may give them your love but not your thoughts,
For they have their own thoughts.
You may house their bodies but not their souls,
For their souls dwell in the house of tomorrow, which you cannot visit, not even in your dreams.
You may strive to be like them, but seek not to make them like you. For life goes not backward nor tarries with yesterday.

The timing of Dayna’s blog is ideal for me in terms of MuseCubes business development.

Because I live in the land of America — where we encourage entrepreneurs to get bigger, better, faster — I’ve been feeling the pressure to turn MuseCubes into a mass-produced, commercially viable product. And I won’t say that I’m NOT moving in that direction. Perhaps I want to!

However, one of the pleasures of this delightful product is the homemade beauty of each Cube. And Dayna’s blog entry reminded me of just how stunning the cubes are when they are decorated with random art cutouts.

As Khalil Gibran reminds me, the idea of MuseCubes – that we are all inherently creative; sometimes our creativity gets buried underneath thinking and mistrust; and movement, whimsy, and silliness are GREAT tools to unlock our stored gems — is not “mine.”

So I still don’t know which direction I’m going to go with the business. Will I mass produce? Will I quit altogether and sell the idea to someone with more resources & time? Will I continue making small, homemade ones by hand? Will I sell MuseCube making kits? Will I put more of my focus onto the upcoming iPhone app?

What I DO know is that more and more people (in general) and women (more specifically) are taking to the Cubes. This is an idea that, now that it’s born, can’t be stopped.The whimsy, creativity, and surprise that comes from a random roll, and subsequent shake & howl, really does open up our creativity and sense of possibility.

What might happen if I now, following the guidance of Gibran, “strive to be like them”? In other words, strive to have my business processes and goals be more like the MuseCubes themselves — whimsical, creative, flexible?

I’m not sure what this all means, but you can be sure I’ll blog about it when I figure it out.

Thanks, Dayna, for your creative application of MuseCubes — and for inspiring to expand my vision of how my invention might play in the world.

This entry is a re-posting of an entry that first appeared at www.musecubes.com.

Hug Thyself (Musings About Inner Authority)

Tender middle aged woman hugging self

I recently went on a first date with a man who’d been cleaning out his bookshelves. He gave me Kitchen Table Wisdom by Rachel Naomi Remen.

Tonight, I stumbled across this sage advice:

Everyone’s wholeness is unique and even such common role models as Eleanor Roosevelt and Albert Schweitzer can distance us from ourselves. Our wholeness will look different than theirs. Our wholeness fits us better than theirs. Our wholeness is much more attainable for us than theirs ever could be. We usually look outside of ourselves for heroes and teachers. It has not occurred to most people that they may already be the role model they seek. (p. 106)

The truth of this line enveloped me like a warm fog, settling around…and even into…me. Straight to the heart.

You mean…I don’t have to try to be like others who I think are better than me? I can be my own role model?!

In the past I’ve known this to be truth. In fact, this idea –  we can trust ourselves, and we have much inner wisdom to teach ourselves — is the crux of my academic/life coaching with teenagers. It is also the basis of what we InterPlayers call “inner authority.”

But knowing something  is vastly different than internalizing truth.

This New Years I made the shift from knowing to internalizing by making a simple commitment: to meditate for 5 minutes a day for 365 days. (Read here for more info about how I came up with this resolution in the first place). I *had thought* that this commitment meant traditional meditation, as in: follow my breath. Or recite a mantra.

But on January 1st as I sat down to do my first 5 minutes, a different kind of meditation emerged: I imagined myself hugging myself. I didn’t plan in advance to do it; it just…uhhh…kinda happened. Lo and behold, I’ve now imagined hugging myself for 5 minutes a day for almost 19 days.

Sometimes I imagine I’m hugging myself as a baby. Other times, I’ve become giant-sized, and I’m enveloping my grown-up self with my oversized arms. Each day it’s different. And fun!!! For the first time in my life, I actually look FORWARD to my meditation time. It’s no longer a *should*; it’s now a delight.

I’m noticing that this self-designed meditation is changing me. For example:

Tonight as I sat to do my 5 minutes, I was also aware of some critical voices in my head. “You wasted your day! You had all those important business tasks on your ‘to do’ list, and you didn’t do a single one! What kind of entrepreneur are you? You’re never going to amount to anything!”
Ouch. In the olden days of meditating, I would have tried to let go of these ugly thoughts. Notice I am thinking…Return to my breath… Let go… breathe…

But today I imagined myself hugging that Mean Inner Critic. “It’s OK. I’m here. Let me hold you. Relax into my arms…” The self flaggelating thoughts stopped. Just like that. Zzzt.

Because I’m somewhat of a brain geek, I understand that this is not a magial occurrence. My daily 5 minute meditation is helping me create new, self-soothing neuropathways in my brain. The more I do it, the more easily I will be able to summon up the image of a “hug” to counter any destructive self talk.

But it still feels magical.

I’m in awe that I’ve found a way to handle my Mean Voices (what elsewhere I have termed the “gremlins”; see Confession #4 in this blog post) . I’m stunned that the idea to imagine myself hugging myself came — not from self help book or therapist — but rather just bubbled up from my own consciousness.


Amazingly, I know how to heal myself. I am my own best role model. I have a wholeness that is all my own! Amen.

A Sure-Fire Formula for Getting Things Done

List

There are a few REALLY IMPORTANT tasks that I’ve been procrastinating doing.

I’m thinking about them right now because I’m looking at my “To Do” list. And I’m noticing that INSTEAD of actually choosing to order MuseCubes supplies,  I’m actually choosing to WRITE ABOUT ordering them.

For whatever reason, writing about the-thing-I-should-do is WAY EASIER than actually doing the thing-I-should-do.

OK. Fine. So I’ll let myself write. Why? Because it’s fun. And because I also know that I learn while I write. So I’m hoping that as I reflect in this spontaneous way, I’ll actually figure out how to make myself actually DO the thing-I-should-do.

But the truth is: I already know how. All I need to do to follow through is (drum roll please!) answer the question:

“What the next smallest thing I can reasonably do?”

In regards to ordering the MuseCubes supplies, the next smallest thing I can reasonably do is to LOOK UP THE NAME of the place where I bought the packaging in the first place. (I’m sure I would have ordered the packaging weeks ago if I’d remembered the name of the online store where I originally bought them; kinda funny, the odd little barriers we create for ourselves).

Alright. So I give myself permission NOT to order the supplies. My first order of business is to simply  LOCATE THE NAME OF THE PLACE. Fine. Good. In fact, I’ll do that RIGHT NOW before I even type another word.

***Time passes. 11:55am – 12:18pm***

Phew! I did it. My little trick worked. Not only did I LOCATE the name of the company (I order my MuseCubes packaging at PaperMart), I ALSO:

  1. Ordered 500 boxes of the old variety of packaging
  2. Ordered 50 boxes of a new variety of packaging (for a new MuseCubes product I’m working on)
  3. Changed my shipping and billing addresses, which were outdated
  4. Organized my bookmarks so that I can easily find the PaperMart link again when I need it. No more excuses!!!

Ahhhhh. That feels good. Perhaps the secret to following through is to break down the task into smaller, easy incremental steps. There really is power behind the question: “Whats the next smallest thing I can reasonably do?”(See additional thoughts about incrementality here).

But to be totally honest, there’s another reason why I followed through just now. I wouldn’t have ordered the supplies if I hadn’t been writing about it (which is fun) and imagining my readers being impressed with me (which is about accountability).

Aha! I think I’ve just created a winning formula. Check this out:

incrementality + accountability + fun = getting things done!

Case in point: my 2010 New Years Resolution. I want to meditate more in 2010. But judging by my past experience, I just CAN’T seem to sit myself down and do it. So this year I asked myself the question “whats the smallest amount of time I’m willing to meditate every day?” The honest-to-god-answer: 5 minutes!!!

Gretchen’s Inner Critic Voice: Really, Gretchen?! That’s it? Five minutes is all you can muster? Wimp. (Ouch!)

Gretchen’s I’m-My-Own-Best-Friend Voice: Yup. 5 minutes. If that’s what you’ll reasonably do, then you go girl. Thanks for being so honest. 365 days of 5-minute meditations. I love it. And I love you! And I trust you to decide what’s right for you.  (Awwwwww!)

Cool. So far we’ve got the incrementality piece of the equation. But what about accountability and fun?

Calendar

Accountability: First of all, I bought a calendar that I love, attached a pencil to it, and hung it next to my kitchen window.

CalendarCloseUp

Fun: I like to draw, and spirals are pretty. So instead of writing “meditation” on the days I do it, I draw a spiral instead. Funny how much pleasure comes from such a small act!

Yet again:

incrementality + accountability + fun = getting things done!

I’m pretty sure that I’m setting myself up for great success with my goal to meditate for 5 minutes a day for 365 days. I’ll keep you updated on the blog (and if anyone else wants to join me in this task, the more the merrier).

In the meantime, what do you think about this formula? Do you think it might work for you the way it seems to be working for me?

What Does Ensemble Performance Feel Like?

ObamaYear1

Recently a friend sent me a survey asking me what ensemble performance feels like. She’s getting her Ph.D. and she needed some help. Ever the dutiful friend, I complied.

I’ll share the text of those emails in a second. But first –  I want to share this: I just finished performing in the second of two Wing It! Performance Ensemble concerts. I’ve been a member of Wing It for three years now and have had a love/hate relationship with performance.

Improvisational performance is hard and makes me feel vulnerable. Every Monday when it’s time to go to Wing It! practice, I feel shy and reticent. But I usually make myself go because I know it’s good for me. And I’m slowly falling in love with the community.

At this weekend’s performance, I still felt shy and reticent, but also READY! Good thing, because instead of the usual 12+ performers, we were only 8. This meant that I couldn’t just hide in the wings, waiting for other performers to initiate. I’d have to pay attention, be engaged, and start stuff!

For those of you who’ve never been to a Wing It performance, let me explain. We perform in a huge dance studio. The performers stand on the side, at attention. We watch, we wait, we listen. And when we’re inspired, we move onto the stage. We’ll dance, tell stories, or sing; we might even do all three at the same time! More simply, in the words of our fearless leader Phil Porter, “We start stuff, we mess with it, and then we end.”

The last couple nights we were performing on the theme of “Obama Year One.” Some gorgeous dances emerged, and stunning music played by Shazam, Theron, and Amar. Amidst the stories, we learned:

  • How recent terrorism rules have restricted Phil’s ability to crochet on airplanes
  • How I spontaneously learned to hoola hoop, taught by a group of Grandmas at Lake Merritt
  • How Dorothy’s Filipina grandmother was detaind by INS on a recent visit to the US

Which brings me back to Nika’s question: “How would you describe, for someone who has never experienced it, what the experience of ensemble performance is like for you personally?” Here was my answer:

In ensemble performance, I spend my time listening — but in a different way than I’m listening when I’m in solo performance (and note: I’m speaking about improvisational performance here, not choreographed/scripted performance, which I imagine provides a different experience of the ensemble).

By myself, the listening is mostly introspective. I’m listening “in” to my story, and then listening to myself as I tell it. To some extent I’m also listening to the audience and their response to my story, but that’s it.

In ensemble performance, I’m stilling listening “in” to my own impulses, but I’m ALSO listening to the group as a whole. It’s a weird balance between going inside and staying focused outside.

But it’s also important to say that the outward focus is what we, in interplay, call “easy focus”. There’s no way to have a directed focus on one thing; instead my attention is diffused and peripheral, and takes in the whole. And then I choose from moment to moment:  how do I want to respond to what’s happening?

In ensemble performance the question is no longer, “What am I creating?” but rather “What is being created here, and how can I contribute to it?

In her email, Nika also asked, “If you teach or coach other how to perform as an ensemble group, please also briefly state the 3 concepts and/or practces…that you aim to foster in performers who work with you.” Here’s are the 3 concepts/practices that I aim to foster in the Tuesday night InterPlay Performance Technique class: :
  1. Who are you as a performer? What are your personal riffs/motifs that you bring to the stage? (In order to be an excellent ensemble performer, I think it’s crucial that people understand their own individual offering… you can’t give to a group unless you know what you’re giving).
  2. Practice listening to the group body. Helping people become more and more “in tune” to the “middle thing” that is being created.
  3. Leading versus following. Know when to create something new/unique (to lead) and when to support that which has already been initiated (follow).

All in all, teaching and performing the InterPlay forms has been an intense and rewarding experience for me. Big hugs to all my fellow performers this weekend, and to all my Tuesday night students. What a journey we’re on together…listening, laughing, creating. It takes courage to be so vulnerable in public, and I salute us all.

To Rock Your Final Exams, Organization is Key

Organized Desk

This is just a quick blog entry to celebrate one of my academic coaching clients. I’ll call him Oscar.

I couldn’t believe my eyes when I walked into his bedroom last Wednesday evening. A transformation had occurred around Oscar’s desk.

Over the holidays, this high school freshman got unbelievably organized! I wish I could take credit for the impressive systems he created, but actually — Oscar did it all himself.

The picture (above) shows his new-and-improved desk space, and I’d like to highlight a few of the lists he’d posted:

  • His high school’s final exam schedule
  • A list of due dates leading up to final exams
  • A list of long term projects that he needs to track
  • A list of writing tips I’d made for him
  • A list of what his current grade is in each class, and what percentage of the overall grade that each final exam will play

Go Oscar!!! This kind of organization, not to mention the clean desk underneath all the lists, is a great way to set yourself up to  rock your finals.

One word of warning: Organization is only half the battle. For some creative types, it’s more fun to create systems than implement them. (Are you like this? I sure am! It’s why I work as an academic coach; I get to dream up all kinds of systems that other people get to implement).

Now that Oscar’s got a clean desk space, it’s time to buckle down and study.

P.S. If you’re a teacher reading this, please take note: it’s most helpful for students if they receive their final exams study sheets at least 2 weeks before finals exams are scheduled to begin! Most of my clients’ teachers don’t seem to be handing out the review sheets until 5 days before the final. If we really want kids to learn how to study for 7 major exams, we need to give them the time to strategize and plan!

InterPlay Performance Technique…as taught by the Red Dance Pants

reddancepantsI had so much fun teaching my first InterPlay Performance Technique class — totally solo!!

For the last two and a half years I’ve been Elizabeth Mendana‘s teaching sidekick. But then she decided to move away.

So, I took a deep breath… and a gulp…. and decided, “Yeeeeehaaaaaa! I can do this!!!” (And promptly bought fancy red dance pants for the occasion).

Last night I was totally prepared to teach a small, intimate class to a few Tuesday night regulars. But at 6pm on the dot, two gals bounded in to the room. InterPlay newbies! “Oh, no!” I thought. “What will I teach?! Can I gracefully cater to the entire range of experience in this room?”

As more folks streamed in (what a surprise, this close to the New Year!), I took another gulp…and made a crucial decision: I will not hold back just because there are new folks in the room.

Phil and Cynthia are always telling us to “trust the forms.” I’m gonna trust that InterPlay Performance Technique will hold us all in its warm, playful, artful embrace.

Lo and behold — it did! The new folks blended right in (in fact, an outsider wouldn’t have been able to tell who was whom), and the experienced InterPlayers seemed satisfied, too.

We got our silly groove on with following and leading; practiced side-by-side solo dances; and finally created gorgeous ensemble movement with 3-sentence stories.  We sure were making F-ing great art!).

I’m so grateful to this improvisational art form that allows a broad range of experience to play alongside each other (and allows me to improvise as a teacher, too).

P.S. A disclaimer: my new red dance pants are not nearly as cool as the ones pictured here. But I needed a picture for this blog post. And these are pretty hot, aren’t they!? Maybe they’ll be my next pair.